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Friday, 4 October 2013

Friday's French music break - Grégoire, "Si tu me voyais"


You know how sometimes you hear a song that you initially start out disliking but gradually discover has grown on you?

Well sadly that's not the case with this week's Friday's French music break.

It's "Si tu me voyais" from Grégoire (Boissenot, to give him his full name) and frankly, it makes the task of convincing sceptics that the French music scene actually has something worth listening to harder than it is at the best of times.

Grégoire (screenshot from the official video for "Si tu me voyais"

The single is the first to be released from Grégoire's latest album  "Les roses de mon silence" and is a strange choice because it's far from being pleasant on the ear.

Ah fans - and there are plenty of them around as Grégoire was the first act to achieve his breakthrough thanks to My Major Company, the label which gives subscribers the possibility to become music producers by investing in up-and-coming artists - will be up in arms no doubt.

But take a listen to some of the other songs on the album, and you'll perhaps wonder why "Si tu me voyais" was chosen as the first single... or even a single at all.

There's the title track for example -  much more in the tradition of a French ballad, complete with piano, voice and accordion.

Or "L'enfance", which is full of emotion and musicality (and a violin)

Still, someone at the record label must know what they're up to and "Si tu me voyais" it is.

All of the comments on Grégoire"s Facebook page are suitable adoring - as you would expect. But there's the odd voice of dissent over at YouTube .

Without doubt the song will please those same fans who first discovered Grégoire with his debut hit  "Toi + Moi" in 2008, but it might leave those who float in an out of his music wondering what the heck and why?

Talent, the 34-year-old has - in abundance - and a voice that distinguishes him (in a positive way) from many other French singers around at the moment.

But this song is simply not his best - far from it.

It begins inoffensively enough; gently upbeat, leading you to believe that it's going to be just another one of those French songs that's pleasant enough to listen to and nothing more.

And then halfway through Grégoire squawks into action, his voice belting out the lyrics in what becomes an assault on the ears (it can't be good for his vocal cords either).

Still, take a listen for yourself - and maybe turn the volume down at a touch at 1 minute and 52 seconds.


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