Actually that's not quite right as the current run of Giacomo Puccini's four-act work at the Opéra Bastille in Paris came to an end on Sunday.
But for many in the audience, Natalie Dessay's presence was probably the reason for theirs, regardless of the fact that she wasn't singing the main role, and it was something of a case of "move over Mimi, Musetta's here."
There's no doubt that without really trying Dessay somewhat stole the show but at the same time without upstaging the other singers.
Quite an achievement really.
That's not to say that the main protagonists in this production weren't good: in fact they were very good.
Massimo Giardino as Rodolfo and Inva Mula as Mimi in the final performance of the run (roles they shared with Stefano Secco and Tamar Iveri) more than held their own during the first act) with moving interpretations of the star struck lovers in those arias probably everyone knows "Che gelida manina" and "Sì, mi chiamano Mimì".
And the duet "O soave fanciulla" more than lived up to expectations.
But midway through the second act the audience seemed to lean forward collectively to watch and listen more attentively as the coquettish Musetta made her entrance and Dessay charmed everyone with "Quando me n’vò".
All right so perhaps it wasn't hard work for the 44-year-old French coloratura soprano to win over an already converted public.
Quite simply put she's a star here in France. Take two. She's an international star and her success has been built not only on the quality of her voice but also her ability to act.
In that sense Musetta, although a secondary role, is exactly suited to Dessay's knack of adding the lightest of comic touches where it's needed without falling into the trap of appearing ridiculous.
Add to that the fact that in interviews Dessay always comes across as completely grounded and totally "un-diva-ish" and it's not hard to understand her popularity.
For those who might have missed her this time around in "La bohème" there'll soon be another chance to see her.
Dessay will be back at Opéra Bastille in Paris from January 25, 2010 when she'll be reprising her role of Amina in Vincenzo Bellini's "La sonnambula" - a part she sang to great critical acclaim at New York's Metropolitan Opera earlier this year.
Fushimi Inari Taisha - Whoops, a month without a post here! To my defense, I’ve been traveling quite a long for the past couple of weeks, mostly in the Kansai area of Japan...